Still trying to pull all the pieces together to ensure that my play about George Farquhar, bawdy n bold as it is, gets on to the stage in Smock Alley next year.
The idea is that it will rehearse in Dublin, most likely, with Stephen Bradley in the lead - he was born to play this part. It will premiere in Derry in September 2013 as part of their UK City of Culture, as the lead play of a second Farquhar Festival produced by Jonathon Burgess. Then, the idea is for it to come to Dublin for a month to Smock.
After all, it's the theatre that gave George his best anecdote - and possibly his most embarrassing and traumatic story, one I don't believe he would ever have revelled in telling. It's the 'ghost in the machine' if you like and the reason he became a writer.
This was the occasion when, while acting on the Smock Alley stage at the tail end of the 17th century, he accidentally stabbed a fellow actor with a sword having forgotten to switch it for a foil. The actor, price, did survive and acted again but, fortunately for everyone who likes George Farquhar's work, it was, essentially, the end of his career as an actor.
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